The Dutch connection
North Sea Jazz Cape Town is celebrating its fifth
anniversary this year. But how did this connection with
the legendary Dutch festival actually start? Come2capetown.com
spoke to Rashid Lombard (director of the Cape Town Festival)
and his Dutch colleague Theo van den Hoek.
Theo van den Hoek checked his passport just last week.
“I’ve got a lot of South African stamps in it,
I think I went over to Cape Town about twenty times now”,
he says. “I’m actually surprised how fast everything
went. I can just remember the first festival in 2000. I
was standing outside, looking at Table Mountain, I honestly
got goose bumps, and now it’s already five years later.”
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Legendary moments in The Hague:
Rashid Lombart
“Michael Borslap is actually a
very serious keyboard player, but he
hooked up with some American rapers
in 2002 and they really took the word
contemporary to another level.”
Theo
van den Hoek
“That’s very easy for me:
when I saw Miles Davis play North Sea
Jazz in the 80s. The man, the feeling
he gave his audience when he entered
the stage… You just had to see
this!”
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There’s only one Capetonian really responsible for
the Cape Town leg of The North Sea Jazz, and that’s
Rashid Lombard. “In my youth I always had jazz musicians
around me, so I’ve loved this music for a long time”,
says Rashid. “Jazz was always in my life. I’ve
owned a nightclub, but I knew I was going to organize a
festival one day. That was my dream.”
Rashid traveled Europe working as a photographer for several
South African magazines. During those years he visited a
lot of jazz festivals. “But every year I kept returning
to the Netherlands for the North Sea Jazz Festival. The
thing I loved about it was that it was a multistage festival,
but all under one roof. I always thought that was a very
good set-up for a festival in South Africa. That country
was very violent in those years, and if you organize a festival
over the city, it can be dangerous for some. By putting
it all under one roof, you provide safety.” After
the1998 festival, Rashid walked up to Theo to share his
dream.
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Legendary
moments in Cape Town:
Rashis Lombart
“I must say it was very cool when
Samuel L. Jackson called me last year
to ask for tickets, but the New Cool
Collective show in 2000 was pretty amazing
as well. Ten Dutch white boys where
on stage, and no South African could
stand still!”
Theo
van den Hoek
“It’s probably ‘cause
I’m a proud Dutchman, but the
show Zuco 103 gave a few years ago was
great. Just to see South Africans go
wild about a band from my own country
made me feel really proud.”
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The Dutch director gave his business card and asked Rashid
to send him a fax. Theo: “It was at the end of the
festival, so you tend to be a bit tired then. It didn’t
really matter to me if it was Cape Town or any other city,
if you want to set up a project like this, you need someone
you can rely on, someone who’s serious.” And
Rashid was. He stalked Theo with e-mails and faxes trying
to get his attention. Eventually Theo went over to South
Africa in January’99 to talk to the government and
sponsors. Theo: “But I didn’t get the feeling
that they really wanted the festival. They where sceptical
‘cause people tried projects like this before, and
it always failed.” But Rashid and Theo went through
with the program. Rashid: “Theo gave me a challenge:
I had to organize a South African stage at the festival
in The Hague in ‘99. I think that was like a test
or something, ‘cause after that night Theo came up
to me and said: ‘We’ve got ourselves a festival
in Cape Town!’ I was really happy when he said that.”
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This is the
act you can’t miss this year –
the experts say:
Rashis Lombart
“Normally when Miriam Makebe plays,
she brings a big band and you don’t
get to see the real Miriam Makebe. But
this year she’ll come with a trio.
She hasn’t done this since 1967!”
Theo
van den Hoek
“I must say Stanley Clark, just
because he’s one of the biggest
acts in the world. But I think a lot
of tourists that come to the festival
will be amazed by the African jazz artists.”
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Theo: “That night was broadcast live on South Africa
television, which helped us a lot. When we came back at
the end of ’99, everybody was really enthusiastic!”
The first festival was held at the Good Hope Centre in
2000. At first the Dutch organized just about everything,
but five years later almost everything is in South African
hands.Lombard says: “I’m really proud we pulled
this off! No one thought we could do it.” The festival
moves to the Convention Centre this year, because the old
venue became too small. Rashid: “What we have to do
now, is market this festival as an event you can’t
miss. People don’t necessarily come here for the program,
but just because it’s the place to be!”
Rashid has a special philosophy when it comes down to putting
together the program. “Fifty percent of our artists
are from Africa, that’s because a lot of the people
that come to our festival are international visitors, and
they can see the big names in their own country. We want
to serve them with some real African jazz. But off course
a lot our audience are from Africa as well, so the other
half of the program are international artists. This way
we also treat our artists equal, and that’s good for
the South African music industry.” Headliners for
this year’s festival are: Angie Stone, Abdullah Ibrahim,
Stanley Clarke and Miriam Makebe.
One of the reasons of the big success of this Capetonian
jazz festival is that fact that it’s being held in
Cape Town. Theo: “I love this city and I know for
sure that a lot of people combine the festival with a vacation
in South Africa, because they want to see the country. They
do a safari through the country first, and then come down
for the festival in Cape Town.”
The contract between the Dutch and the South African festival
ends this year, but Theo has no doubt about it continuing.
Theo: “We still have to talk about this, but I’m
very positive.”
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